MUSIC OF POLISH SYNAGOGUES
The Creative Scholarship of the Minister of Culture and National Heritage of the Republic of Poland for 2025 is one of the most important distinctions awarded to artists and creators in Poland – a recognition of their work to date and confidence in their planned creative and research activities.
As part of my scholarship, I carried out an original project entitled "Synagogue Music – A New Repertoire," the aim of which was to discover, arrange, and perform synagogue music associated with Polish synagogues – primarily those in Krakow and Białystok. This repertoire is often forgotten, unpublished, and often known only from fragments of manuscripts stored in scattered collections.
The project aimed not only to preserve and protect the heritage of Jewish music but also to creatively revive it for concert purposes. Thanks to the Ministry's support, I was able to conduct research in international archives, collaborate with outstanding musicians, and organize concerts and events to popularize this unique musical tradition.
This scholarship was a great honor and obligation for me – proof that synagogue music, to which I dedicate my artistic and research work, has significance in contemporary cultural discourse.

1
ARCHIVE QUERY
The first stage of the project was archival research conducted in public and private collections in Poland and abroad. I searched for forgotten synagogue music pieces associated with Polish cities – primarily Krakow and Białystok. This work was based on primary source research, contacts with cultural institutions, and analysis of preserved manuscripts and printed music.
2
ARRANGEMENTS OF WORKS
The rediscovered musical materials often required reconstruction, transcription from manuscripts, and preparation for performance. Each work was subjected to detailed analysis and subsequently arranged with careful attention to its historical and liturgical context. In this process, I collaborated with linguists, music editors, and specialists in Jewish performance practice.
3
REHEARSALS AND CONCERTS
The prepared pieces were then performed in concert spaces. Together with the vocal ensembles and instrumentalists, we worked on their interpretation, respecting tradition while also exploring contemporary means of expression. The concerts took place in venues of particular significance – in Krakow, Białystok, and Szczecin.
4
PUBLICATION OF THE CATALOGUE
The culmination of the project is the creation of a catalogue of the rediscovered works. It contains essential information on the compositions, their sources and authors, as well as the available notated versions. The catalogue has been made available on this website in order to serve as a tool for researchers, musicians, and all those interested in the heritage of synagogue music.



Completed as part of the Scholarship
Minister of Culture and National Heritage
Archive query
One of the most important elements of my project was archival research aimed at locating and documenting forgotten works of synagogue music that were once composed and performed in the territories of present-day Poland. Over the course of several months, I visited a number of exceptionally valuable and inspiring places, including archives and institutions in Stockholm, Jerusalem, Paris, Warsaw, Berlin, and Vienna. I also conducted remote research in, among others, the collections of Hebrew Union College in Cincinnati—one of the world’s most important repositories of Jewish music.
The works I rediscovered originate from synagogues in Białystok, Włocławek, Poznań, Warsaw, Kraków, Königsberg, Tykocin, Łódź, Częstochowa, Lviv, and many other cities that before the war were vibrant centers of Jewish religious and cultural life. The diversity of the materials is immense—from simple cantorial melodic sketches preserved only as a single melodic line to complete, virtuosic choral-and-organ compositions demanding high technical and musical proficiency from both soloists and vocal ensembles.
During this work, I encountered many kind and deeply committed individuals—directors of institutions, scholars, musicians, librarians, archivists, and specialists from various fields. Their openness, expertise, and willingness to share resources and experience have been an invaluable support to me. This collaboration also demonstrates how important and timely research into the heritage of Jewish music remains, and how much still awaits discovery.
Institutions visited
January
Stockholm
Jewish Community of Stockholm, Jewish Museum Stockholm, Royal National Library
February
Jerusalem
March
Paris, Cincinnati
April
Warsaw, Berlin
Felicja Blumenthal Music Centre, ANU - Museum of Jewish People, The National Library of Jerusalem
European Institute of Jewish Music in Paris, Hebrew Union College in Cincinnati
Library of the University of Warsaw, Library of the Institute of Musicology of the University of Warsaw, Abraham Geiger College in Potsdam, Jewish Community in Berlin
May
Vienna, Krakow
Exilarte - Center for Verfolgte Musik, Institute of Musicology of the Jagiellonian University
Catalog
A list of works from the choral literature of Polish synagogues that I discovered, developed or performed during the implementation of the Creative Scholarship of the Minister of Culture and National Heritage in 2025.
Nazwisko | Imię | Ur | Zm | Miasta | Tytuł utworu | Szczegóły publikacji | Skład |
|---|---|---|---|---|---|---|---|
AJZENSZTADT | Dawid | 1890 | 1942 | Nowy Dwór, Warszawa | Bemozej menucho | rękopis | Chór SATB, kantor solo |
AJZENSZTADT | Dawid | 1890 | 1942 | Nowy Dwór, Beriln, Ryga, Rostów nad Donem, Warszawa | Berach dodi le-Jom ha-Pesach | „Di Khazonim Velt” (Świat Kantorów - gazeta Związku Kantorów w Polsce), kwiecień 1934 | Kantor solo |
AJZENSZTADT | Dawid | 1890 | 1942 | Nowy Dwór, Warszawa | Lecho dodi | rękopis | Chór SATB, kantor solo |
AJZENSZTADT | Dawid | 1890 | 1942 | Nowy Dwór, Beriln, Ryga, Rostów nad Donem, Warszawa | Scholosch judos | rękopis | Chór SATB |
AJZENSZTADT | Dawid | 1890 | 1942 | Nowy Dwór, Beriln, Ryga, Rostów nad Donem, Warszawa | Wehi sheomdo | „Ilustrite Vokh” (Tygodnik Ilustrowany - gazeta wydawana w Warszawie w latach 1928–1929), nr 1, 1928 | Głos, fortepian |
BACHMANN | Jakub | 1846 | 1905 | Sankt Petersburg, Lwów, Budapeszt | Kantata: Psalm 45 „Herzenserguss” | [S.l.], 1879 | Dwa chóry, organy |
BACHMANN | Jakub | 1846 | 1905 | Sankt Petersburg, Lwów, Budapeszt | Uwaszofor godol | C. G. Röder, Leipzig, 1889 | Chór SATB, kantor solo, organy |
BERGGRÜN | Henryk | 1863 | 1889 | Poznań, Hanower | Jehi rotzon | rękopis Synagogen Gesange für Cantoren | Kantor solo |
BERGGRÜN | Henryk | 1863 | 1889 | Poznań, Hanower | Kaddish | rękopis Synagogen Gesange für Cantoren | Kantor solo |
BERGGRÜN | Henryk | 1863 | 1889 | Poznań, Hanower | Sim scholom | rękopis Synagogen Gesange für Cantoren | Kantor solo |
BERNSTEIN | Abraham Mosze | 1878 | 1933 | Białystok, Wilno | Haszkiwenu | rękopis Zbiór Kompozycji Synagogalnych | Chór SATB, kantor solo |
BERNSTEIN | Abraham Mosze | 1878 | 1933 | Białystok, Wilno | Jismach mosze | Zbiór Kompozycji Synagogalnych cz. III, Wilno, 1931 | Chór SATB, kantor solo |
BERNSTEIN | Abraham Mosze | 1878 | 1933 | Białystok, Wilno | Mim komcho | Zbiór Kompozycji Synagogalnych cz. III, Wilno, 1931 | Chór SATB, kantor solo |
BERNSTEIN | Abraham Mosze | 1878 | 1933 | Białystok, Wilno | Weszomru | rękopis Zbiór Kompozycji Synagogalnych | Chór SATB |
BIRNBAUM | Abraham Baer | 1865 | 1922 | Częstochowa, Łódź | Jigdal | "Sztuka żydowskiego kantoratu" cz. II, Wydawnictwo "Liturgia", Częstochowa, 1908 | Chór SATB |
BIRNBAUM | Abraham Baer | 1865 | 1922 | Częstochowa, Łódź | Kantata na poświęcenie świątyni | "Sztuka żydowskiego kantoratu" cz. II, Wydawnictwo "Liturgia", Częstochowa, 1908 | Chór SATB, chór męski, baryton solo, fisharmonia |
BIRNBAUM | Abraham Baer | 1865 | 1922 | Częstochowa, Łódź | Min hamezar | "Sztuka żydowskiego kantoratu" cz. II, Wydawnictwo "Liturgia", Częstochowa, 1908 | Chór SATB |
BIRNBAUM | Abraham Baer | 1865 | 1922 | Częstochowa, Łódź | Psalm 150 | "Sztuka żydowskiego kantoratu" cz. II, Wydawnictwo "Liturgia", Częstochowa, 1908 | Chór SATB, fisharmonia |
BIRNBAUM | Abraham Baer | 1865 | 1922 | Częstochowa, Łódź | Unsane tokef | "Sztuka żydowskiego kantoratu" cz. II, Wydawnictwo "Liturgia", Częstochowa, 1908 | Chór SATB, kantor solo |
BIRNBAUM | Eduard | 1855 | 1920 | Królewiec | Psalm 24 | Meyer, Królewiec, 1896 | Soliści: sopran, sopran, alt, tenor, chór, harfa, organy |
DAWIDOWICZ | Abraham Cwi | 1877 | 1942 | Białystok, Kalisz, Odessa, Warszawa | Bar jochaj | Isschar Fater, Yidishe muzik in polyn tsvishn bayde velt-milkhomes, Tel Awiw, 1970 | |
DWORZAN | Emil | 1856 | 1931 | Poznań, Laupheim | 5 piesni do słów „Weschomru” | Wyd. własne, Poznań, 1880 | Głos solowy, ograny |
ERLICH | S. L. | Opole | Tefilas tol we-geszem | Wyd. własne, Opole, 1982 | Chór SATB, kantor, organy | ||
ERSLER | Aleksander | 1854 | 1923 | Włocławek | Lecho dodi | T'hillah w'simrach cz. I, wyd. własne, Włocławek, 1907 | Chór SATB |
ERSLER | Aleksander | 1854 | 1923 | Włocławek | Kedusza | T'hillah w'simrach cz. II, wyd. własne, Włocławek, 1907 | Chór SATB, kantor solo |
FAJWISZYS | Izrael | 1887 | 1943 | Brody, Kraków, Tarnów, Łódź | Her nor, du shein meidele | Isschar Fater, Yidishe muzik in polyn tsvishn bayde velt-milkhomes, Tel Awiw, 1970 | Chór męski, fortepian |
GOLDBERG | Eliezer | 1843 | 1920 | Kraków | Bejces Jisroel | Udostępnione przez dr Sylwię Jakubczyk - Ślęczkę z Instytutu Muzykologii UJ w Krakowie | Chór SATB |
GOLDBERG | Eliezer | 1843 | 1920 | Kraków | S’u szeorim | Udostępnione przez dr Sylwię Jakubczyk - Ślęczkę z Instytutu Muzykologii UJ w Krakowie | Chór SATB |
GOLDBERG | Eliezer | 1843 | 1920 | Kraków | Wechol bojej ojlom | Udostępnione przez dr Sylwię Jakubczyk - Ślęczkę z Instytutu Muzykologii UJ w Krakowie | Chór SATB |
HAMBURGER | Eduard | Legnica | Adonoj moloch | Gesange zum gottesdienstlichen Gebrauch an der Sabbath u. Festtagen der israelitischen Gemeinde zu Liegnitz, Legnica 1879. | Chór SATB | ||
KINSTLER | Baruch | Lwów | Keser jitnu lecho | Udostępnione przez dr Sylwię Jakubczyk - Ślęczkę z Instytutu Muzykologii UJ w Krakowie | Chór SATB | ||
KINSTLER | Baruch | Lwów | Kochanecho | Udostępnione przez dr Sylwię Jakubczyk - Ślęczkę z Instytutu Muzykologii UJ w Krakowie | Chór SATB | ||
LOW | Leo | 1878 | 1960 | Wilno, Bukareszt, Warszawa, Nowy Jork | Sisu w’simchu | Gershon Ephros, Cantorial Anthology of Traditional and Moder Synagogue Music cz. III, Bloch Publishing Company, Nowy Jork, 1955 | Chór SATB |
NOAH | Moshe | Łódź | Sh’chuloh achuloh | Anthology of Jewish Music, Edward B. Marks Music Corporation, Nowy Jork, 1955 | Chór SATB, kantor solo | ||
NOWAKOWSKI | Dawid | 1848 | 1921 | Odessa | Kedusza | Zbiór Kompozycji Synagogalnych cz. III, Wilno, 1931 | Chór SATB, kantor solo |
RABINOWICZ | Mosze "Bas" | Białystok | Selach no | rękopis | Kantor solo | ||
SCHORR | Baruch | 1823 | 1904 | Lwów | En komocho | N'ginoth Baruch Schorr, ed. Israel Schorr, Bloch Publishing Company, Nowy Jork, 1952 | Chór SATB, organy |
SCHORR | Baruch | 1823 | 1904 | Lwów | Himmoze lonu | N'ginoth Baruch Schorr, ed. Israel Schorr, Bloch Publishing Company, Nowy Jork, 1952 | Chór SATB |
SCHORR | Baruch | 1823 | 1904 | Lwów | Kol nidrej | N'ginoth Baruch Schorr, ed. Israel Schorr, Bloch Publishing Company, Nowy Jork, 1952 | Chór SATB, kantor solo, organy |
SCHORR | Baruch | 1823 | 1904 | Lwów | K’wakoross | N'ginoth Baruch Schorr, ed. Israel Schorr, Bloch Publishing Company, Nowy Jork, 1952 | Chór SATB, alt solo |
SCHORR | Baruch | 1823 | 1904 | Lwów, Kamieniec Podolski | Seu scheorim | N'ginoth Baruch Schorr, ed. Israel Schorr, Bloch Publishing Company, Nowy Jork, 1952 | Chór SATB |
SIROTA | Gerszon | 1874 | 1943 | Odessa, Wilno, Warszawa | Jehi rotzon | Londyn: Mazin & Co, 1910 | Kantor, fisharmonia |
SIROTA | Gerszon | 1874 | 1943 | Odessa, Wilno, Warszawa | Weszomru | Londyn: Mazin & Co | Kantor, fisharmonia |
VINAVER | Chemjo | 1900 | 1973 | Warszawa, Berlin, Nowy Jork | Lecho dodi | Anthology of Jewish Music, Edward B. Marks Music Corporation, Nowy Jork, 1955 | Chór SATB, kantor solo |
WASSERZUG | Haim | 1822 | 1882 | Konin, Nowy Dwór, Łomża, Wilno, Londyn | Kakosow besoras mose | rękopis | Kantor solo |
WEINTRAUB | Salomon | 1781 | 1829 | Dubno, Zamość, Tykocin, Lwów, Brześć | Elohenu we’Elohe awosenu, t’ka b’szofor godol lechejrusenu | Schire beth Adonai oder Tempelgesänge für den Gottesdienst der Israeliten, wyd. własne, Lipsk, 1859 | Chór SATB, kantor solo |
WEINTRAUB | Hirsch | 1811 | 1881 | Dubno, Królewiec | Howu ladonoj b’ne elim | Schire beth Adonai oder Tempelgesänge für den Gottesdienst der Israeliten, wyd. własne, Lipsk, 1859 | Chór SATB |
WEINTRAUB | Salomon | 1781 | 1829 | Dubno, Zamość, Tykocin, Lwów, Brześć | Ki socher | Schire beth Adonai oder Tempelgesänge für den Gottesdienst der Israeliten, wyd. własne, Lipsk, 1859 | Chór SATB |
WEINTRAUB | Salomon | 1781 | 1829 | Dubno, Zamość, Tykocin, Lwów, Brześć | Uw jom sim Haszem | Schire beth Adonai oder Tempelgesänge für den Gottesdienst der Israeliten, wyd. własne, Lipsk, 1859 | Chór SATB |
WEINTRAUB | Hirsch | 1811 | 1881 | Dubno, Królewiec | W’chach hojo omer | Schire beth Adonai oder Tempelgesänge für den Gottesdienst der Israeliten, wyd. własne, Lipsk, 1859 | Chór SATB, kantor solo |















